Steve Goodman, Toby Heys, Eleni Ikoniadou (Editors)
For as long as recording and communications technologies have existed, the potential of the vibrational continuum that connects sound to infrasound, ultrasound and other inaudible frequencies has been evoked to access anomalous zones of transmission between the realms of the living and the dead.
For the past ten years the AUDINT group has been researching these peripheries of sonic perception (unsound) and the portals they open to new dimensions, activating a continual intersection between fiction and fact, and pressuring thought to become something other than what it has been. The 64 short essays in this volume probe how unsound serves to activate the undead.
Contributors from a variety of disciplines chart these warped zones, mapping out a zigzagging timeline stretching from the 8th century BC (the song of the Sirens), to 2013 (acoustic levitation), and speculatively extending into 2057 (the emergence of holographic and holosonic phenomena).
With texts by: Lawrence Abu Hamdan, Lendl Barcelos, Charlie Blake, Lisa Blanning, Brooker Buckingham, Al Cameron, Erik Davis, Kodwo Eshun, Matthew Fuller, Kristen Gallerneaux, Lee Gamble, Agnès Gayraud, Steve Goodman, Anna Greenspan, Olga Gurionova, S. Ayesha Hameed, Tim Hecker, Julian Henriques, Toby Heys, Eleni Ikoniadou, Amy Ireland, Nicola Masciandaro, Ramona Naddaff, Anthony Nine, The Occulture, Luciana Parisi, Alina Popa, Paul Purgas, Georgina Rochefort, Steven Shaviro, Jonathan Sterne, Jenna Sutela, Eugene Thacker, Dave Tompkins, Shelley Trower, and Souzana Zamfe.
- Nov 2019: Brian Reffin Smith in Leonardo
- Nov 2019: Stewart Gardiner in Concrete Islands
- Sep 2019: Megan Jeanne Gette in Sound Studies, ‘Untuning a Politics of Perception’
- Jun 2019: in Scene Point Blank
- Jun 2019: Julian Weber in TAZ, ‘Lärm der Maschinen’
- May 2019: Travis Elborough in The Wire
COVER DESIGN: Vasilis Marmatakis