Jordan Edge (R.H.G.T.) and Navid Ashgari combine ears and jaws in an electro-acoustic nightmare of grand proportion. Ashgari’s background in film composition rears tracks into brutal crescendo utilising Edge’s deft sense for timbral oddity and texture.

Mixed fidelities batter high speed synthesisers against amp distortion. Vibrating motors bump metal plate fixtures into drone horizons melded with bass arco. Re-tuned piano bores into the earth, overcompressed and crushed into Wagnerian weight. Both artists hold their secrets safe on this one but it’s a delerious listen which rides from lowercase through to doom’n’roll sound art.